Книга Метамодернизм. Историчность, Аффект и Глубина после постмодернизма - Робин ван ден Аккер

Moya, Paula M. L. 2000b. ‘Postmodernism, “Realism,” and the Politics of Identity’. In Reclaiming Identity: Realist Theory and the Predicament of the Postmodern, edited by Paula M. L. Moya and Michael R. Hames-Garcia, 67–101. Berkeley: University of California Press.

Nealon, Jeffrey T. 2012. Post-Postmodernism; or, The Cultural Logic of Just-in-Time Capitalism. Stanford, CA: Stanford University Press.

Nelson, A. 2011. ‘Completely Average in Every Way’. Amazon.com. 28 March 2011. Accessed 6 September 2016. http://www.amazon.com/review/R6S1WMRYAGVD7/ref=cm_srch_res_rtr_alt_59

Ngai, Sianne. 2012. ‘Network Aesthetics: Juliana Spahr’s The Transformation and Bruno Latour’s Reassembling the Social’. In American Literature’s Aesthetic Dimensions, edited by Cindy Weinstein and Christopher Looby, 367–92. New York: Columbia University Press.

Nicholson, Linda. 1999. The Play of Reason: From the Modern to the Postmodern. Buckingham: Open University Press.

O’Brien, Geoffrey. 1997. ‘Sein of the Times’. The New York Review of Books, 12 August 1997. 12–14.

O’Connor, Alan. 2006. Raymond Williams. Oxford: Rowman and Littleёeld Publishers, Inc.

O’Reilly, Tim. 2005. ‘What Is Web 2.0? Design Patterns and Business Models for the Next Generation of Software’. Accessed 6 May 2016. http://www. oreilly.com/pub/a/web2/archive/what-is-web-20.html

Orlean, Susan. 2000 [1998]. The Orchid Thief: A True Story of Beauty and Obsession. New York: Ballantine Books.

Osborne, Peter. 2011. ‘The Fiction of the Contemporary: Speculative Collectivity and Transnationality in the Atlas Group’. In Aesthetics and Contemporary Art, edited by Armen Avanessian and Luke Skrebowski, 101–123. Berlin: Sternberg Press.

Ozeki, Ruth. 2013. A Tale for the Time Being. Edinburgh: Canongate.

Palissy, Bernard. 1996. OEuvres Complиtes, 2 vols. Edited by Marie-Madeleine Fragonard, Keith Cameron, Jean Cйard, Marie-Dominique Legrand, Frank Lestringant and Gilbert Shrenck. Mont-de-Marsan, France: Йditions Inter-Universitaires.

Parisi, Luciana. 2013. Contagious Architecture: Computation, Aesthetics, and Space. Cambridge MA; London: MIT Press.

Paterson, Richard. 1998. ‘Drama and Entertainment’. In Television: An International History. Second edition, edited by Anthony Smith, 57–68. Oxford: Oxford University Press.

Pearce, Michael. 2001. ‘ “Getting behind the image”: Personality Politics in a Labour Party Election Broadcast’. Language and Literature 10(3): 211–220.

Pellegrini, Ann and Jasbir Puar. 2009. ‘Affect’. Social Text 27(3): 35–38.

Perez, Carlota. 2009. ‘The Double Bubble at the Turn of the Century: Technological Roots and Structural Implications’. Cambridge Journal of Economics 22: 779–805.

Pfeil, Fred. 1988. ‘Postmodernism as a “Structure of Feeling” ’. In Marxism and the Interpretation of Culture, edited by Cary Nelson and Lawrence Grossberg, 381–403. Chicago: University of Illinois Press.

Pine, B. Joseph and James H. Gilmore. 2011 [1999]. The Experience Economy: Work Is Theatre and Every Business Is a Stage. Updated edition. Boston: Harvard Business School.

Place, Vanessa and Robert Fitterman. 2009. Notes on Conceptualisms. Ugly Duckling Presse.

Plascencia, Salvador. 2005. The People of Paper. New York: Mariner Books.

Poe, Edgar Allan. 1998 [1844]. ‘The Purloined Letter’. In Selected Tales, edited by David Van Leer, 249–265. Oxford: Oxford University Press.

Poecke, Niels van. 2014. ‘De ballast van vernieuwing: Over metamodernisme in de popmuziek’. Gonzo Circus 122. Accessed 29 July 2014. http://www. gonzocircus.com/essay-de-ballast-van-vernieuwing-over-metamoder-nisme-in-de-popmuziek

Pollock, Griselda and Fred Orton. 1978. Vincent Van Gogh: Artist of His Time. Phaidon.

Poniewozik, James. 2011. ‘Louie Watch: Self, Love’. Time. 12 August 2011. Accessed 1 November 2016. http://entertainment.time.com/2011/08/12/ louie-watchself-love/

Pressman, Jessica. 2014. Digital Modernism: Making It New in New Media. Oxford; New York: Oxford University Press.

Purdy, Jedediah. 1999. For Common Things: Irony, Trust, and Commitment in America Today. New York: Knopf.

Pye, Douglas. 2007. ‘Movies and Tone’. In Close-Up 02, edited by John Gibbs and Douglas Pye, 1–80. London: Wallяower Press.

Rak, Julie. 2013. Boom! Manufacturing Memoir for the Popular Market. Waterloo, ON: Wilfrid Laurier University Press.

‘R_byass’. 2001. ‘The Book I Wish I’d Written’. Amazon.co.uk. 22 August 2001. Accessed 6 September 2016. http://www.amazon.co.uk/review/ RYQWNXQYGB0AS

Rapoport, David C. 2002. ‘The Four Waves of Rebel Terror and September 11’. Anthropoetics 8(1). Accessed 28 October 2016. http://www.anthropo-etics.ucla.edu/ap0801/terror.htm

Rhee, Michelle Young-Mee. 2011. “Greater Lore”: Metaёction in Chang-rae Lee’s Native Speaker’. MELUS 36(1): 157–176.

Roberts, David. 2010. ‘Post-Truth Politics’. Grist. Accessed 1 November 2016. http://grist.org/article/2010-03-30-post-truth-politics/

Roiland, Josh. 2012. ‘Getting Away from It All: The Literary Journalism of David Foster Wallace and Nietzsche’s Concept of Oblivion’. In The Legacy of David Foster Wallace, edited by Samuel Cohen and Lee Konstantinou, 25–52. Iowa City, IA: University of Iowa Press.

Rombes, Nicholas. 2005. ‘Irony and Sincerity’. In New Punk Cinema, edited by Nicholas Rombes, 72–85. Edinburgh: Edinburgh University Press.

Rosenberg, Alyssa. 2012. ‘How “The Wire” Inяuenced “Parks and Recreation”’. ThinkProgress. http://thinkprogress.org/alyssa/2012/04/26/ 471789/the-wire-parks-and-recreation/

Rosenblatt, Roger. 2001. ‘The Age of Irony Comes to an End’. Time. 24 September 2001. Accessed 8 September 2016. http://content.time.com/ time/magazine/article/0,9171,1000893,00.html

Roth, Marco. 2009. ‘Rise of the Neuronovel’. n+1. 14 September 2009. Accessed 24 June 2016. https://nplusonemag.com/issue-8/essays/the-rise-of-the-neuronovel

Rudnick, Paul and Kurt Andersen. 1989. ‘The Irony Epidemic’. Spy (Mar): 92–98.

Rustad, Gry. 2012. ‘Metamodernism, Quirky and Feminism’. Notes on Metamodern-ism. 29 February 2012. Accessed 6 September 2016. http://www.metamod-ernism.com/2012/02/29/metamodernism-quirky-and-feminism/#_edn3

Sadoux, Marion. 2002. ‘Christine Angot’s Autoёctions: Literature and/or Reality?’ In Women’s Writing in Contemporary France: New Writers, New Literatures in the 1990s, edited by Gill Rye and Michael Worton, 171–81. Manchester; New York: Manchester University Press.