Книга Метамодернизм. Историчность, Аффект и Глубина после постмодернизма - Робин ван ден Аккер

Voegelin, Eric. 1989. ‘Equivalences of Experience and Symbolization in History’. In The Collected Works of Eric Voegelin, edited by E. Sandoz, Volume 12, 115–133. Baton Rouge: Louisiana State University Press.

Wallace, David Foster. 1989. ‘Westward the Course of Empire Takes Its Way’. In Girl with Curious Hair, 231–373. New York: Norton.

Wallace, David Foster. 1997. ‘E Unibus Pluram: Television and U.S. Fiction’. In A Supposedly Fun Thing I’ll Never Do Again, 21–82. London: Abacus.

Wallace, David Foster. 1999. ‘Octet’. In Brief Interviews with Hideous Men, 131– 60. New York: Little, Brown and Company.

Wallace, David Foster. 2001 [1996]. Inёnite Jest. London: Abacus.

Wallace, David Foster. 2001 [1999]. ‘Octet’. In Brief Interviews with Hideous Men, 111–36. London: Abacus.

Wallace, David Foster. 2004. ‘Good Old Neon’. In Oblivion: Stories, 141–181. London: Abacus.

Wallace, David Foster. 2004 [1987]. The Broom of the System. New York: Penguin.

Wallace, David Foster. 2011. The Pale King: An Unёnished Novel. London: Hamish Hamilton.

Wampole, Christy. 2012. ‘How to Live Without Irony’. New York Times. 17 November 2012. Accessed 24 June 2016. http://opinionator.blogs.ny-times.com/2012/11/17/how-to-live-without-irony/

Warwick, A. R. 2012. ‘Falling Very Slowly: The Metamodernism of Terry Gilliam’s Tideland’. Artwrit. Accessed 6 September 2016. http://www.art-writ.com/article/falling-very-slowly-the-metamodernism-of-terry-gilliams-tideland

Wegner, Phillip E. 2014. Periodizing Jameson: Dialectics, the University, and the Desire for Narrative. Evanston, IL: Northwestern University Press.

Whyte, William H. 2002. The Organization Man. Foreword by Joseph Nocera. Philadelphia: University of Pennsylvania Press.

Will, George F. 2001. ‘The End of Our Holiday from History’. The Washington Post. 12 September 2001. Accessed 1 November 2016. https://www. washingtonpost.com/archive/opinions/2001/09/12/the-end-of-our-hol-iday-from-history/9da607fd-8fdc-4f33-b7c9-e6cda00453bb/

Williams, Raymond. 2001 [1954]. ‘Film and the Dramatic Tradition’. In The Raymond Williams Reader, edited by John Higgins, 25–41. Oxford; Malden, MA: Blackwell Publishers.

Williams, Raymond. 1965. The Long Revolution. Harmondsworth: Penguin.

Williams, Raymond. 1977. Marxism and Literature. Oxford: Oxford University Press

Williams, Raymond. 1979. Politics and Letters: Interviews with New Left Review. London: New Left Books.

Williams, Raymond and Michael Orrom. 1954. Preface to Film. London: Film Drama.

Wilson, E. O. 1998. Consilience: The Unity of Knowledge. Random House. www. wtf.tw/ref/wilson.pdf

Wittgenstein, Ludwig. 1929. ‘Lecture on Ethics’. Ts-207, normalized transcription. Transcriptions can be found on: www.wittgensteinsource.org

Wittgenstein, Ludwig. 2001 [1922]. Tractatus Logico Philosophicus. New York: Routledge.

Wodak, Ruth. 2009. The Discourse of Politics in Action: Politics as Usual. Basingstoke: Palgrave.

Wolfendale, Peter. 2014. Object-Orientated Philosophy: The Noumenon’s New Clothes. Falmouth: Urbanomic.

Woodward, Kathleen. 1996. ‘Global Cooling and Academic Warming: Long-Term Shifts in Emotional Weather’. American Literary History 8(4): 759–779.

Woodward, Kathleen. 2009. Statistical Panic: Cultural Politics and Poetics of the Emotions. Durham, NC; London: Duke University Press.

Wu, Yung-Hsing. 2003. ‘Doing Things with Ethics: Beloved, Sula, and the Reading of Judgment’. MFS 49(4): 780–805.

Zavarzadeh, Mas’ud. 1975. ‘The Apocolyptic Fact and the Eclipse of Fiction in Recent American Prose Narratives’. Journal of American Studies 9(1): 69–83.

Zeller, Christoph. 2010. Дsthetik des Authentischen: Literatur und Kunst um 1970. Berlin: de Gruyter.

Zinc, Nell. 2014. The Wallcreeper. London: Harper Collins.

Žižek, Slavoj. 2000. The Art of the Ridiculous Sublime: On David Lynch’s Lost Highway. Seattle: University of Washington Press.

Žižek, Slavoj. 2002. Welcome to the Desert of the Real! Five Essays on September 11 and Related Dates. London; New York: Verso.