Книга На орбите Стравинского. Русский Париж и его рецепция модернизма - Клара Мориц

of “The Mind and Face of Bolshevism” by R. E Miller (Putnam) // The Saturday Review. 1927. 16 July.

Smolkin-Rothrock 2010 – Smolkin-Rothrock V. The Voices of Silence: The Death and Funeral of Alexander Blok // Petersburg/Petersburg: Novel and City, 1900–1921 I ed. by O. Matich. Madison: University of Wisconsin Press, 2010.

Souvtchinsky 1939 – Souvtchinsky P. La Notion du Temps et la Musique (Reflexions sur la typologie de la creation musicale) // La Revue musicale. 1939. Vol. 20. № 191. P. 70–80.

Souvtchinsky 1953a – Musique Russe. Etudes reunies par Pierre Souvtchinsky.– In 2 vols. Paris: Presses Universitaires de France, 1953.

Souvtchinsky 1953b – Souvtchinsky P. Introduction: Domaine de la Musique Russe // Musique Russe. Etudes reunies par Pierre Souvtchinsky. Vol. 1. Paris: Presses Universitaires de France, 1953. P. 1–26.

Souvtchinsky 1958 – Souvtchinsky P. Qui est Strawinsky? // Cahiers musicaux: Revue mensuelle des jeunesses musicales de Bruxelles. 1958. Vol. 3. № 16. P. 7–14.

Souvtchinsky 2004 – Souvtchinsky P. Un siecle de musique russe (1830–1930): Glinka, Moussorgsky, Tchaikowsky, Strawinsky et autre ecrits, Strawinsky, Berg, Messian et Boulez I ed. par E Langlois. Arles: Actes Sud – Association Pierre Souvtchinsky, 2004.

Spotts 2008 – Spotts F. The Shameful Peace: How French Artists and Intellectuals Survived the Nazi Occupation. New Haven; London: Yale University Press, 2008.

Stravinsky 1923 – Stravinsky “Not Revolutionary”. Composer of Les Noces Denies It Himself. Hates Progress; Says Music Is No Longer Servant of Ballet 11 Evening Standard. 1923. July 8.

Stravinsky 1924 – Stravinsky I. Some Ideas about my Octuor 11 The Arts. 1924. Vol. VI. № 1. January. P. 4–6.

Stravinsky 1927 – Stravinsky I. A Warning // The Dominant. 1927. December. P. 31–32.

Stravinsky 1928 – Pourquoi Ion n’aime pas ma musique: Une interview d’lgor Stravinsky 11 Journal de Geneve. 1928. 14 November.

Stravinsky 1936 – Stravinsky I. An Autobiography. New York: W. W. Norton & Company, 1936.

Stravinsky 1947 – Stravinsky I. Poetics of Music in the Form of Six Lessons / trans, by A. Knodel, I. Dahl. New York: Vintage Books, 1947.

Stravinsky 1964 – Stravinsky I. Stravinsky Proposes: A Cure For V. D. // Listen: A Music Monthly. 1964. № 5. September-October. P. 1–2.

Stravinsky 1982–1985 – Stravinsky: Selected Correspondence: In 3 vols I ed. by R. Craft. New York: Alfred A. Knopf, 1982–1985.

Stravinsky 1984 – Stravinsky I. Some Ideas about my Octuor // Music in the Western World: A History in Document I ed. by P. Weiss, R. Taruskin. New York: Schirmer Books, 1984. P. 458–459.

Stravinsky, Craft 1960 – Stravinsky!., Craft R. Memories and Commentaries. Garden City: Doubleday, 1960.

Stravinsky, Craft 1962 – Stravinsky L, Craft R. Expositions and Developments. Garden City: Doubleday, 1962.

Stravinsky, Craft 1963 – Stravinsky L, Craft R. Dialogues and a Diary. Garden City: Doubleday, 1963.

Stravinsky, Craft 1966 – Stravinsky!., Craft R. Themes and Episodes. New York: Knopf, 1966.

Stravinsky, Craft 1969 – Stravinsky I., Craft R.Retrospectives and Conclusions. New York: Knopf, 1969.

Stravinsky, Craft 1982 – Stravinsky I., Craft R. Dialogues. Berkeley and Los Angeles: University of California Press, 1982.

Swift 2009–2010 – Swift M. The Petersburg Sublime: Alexander Benois and the Bronze Horseman Series (1903–1922) // Germano-Slavica: A Canadian Journal of Literary, Linguistic and Cultural Perspectives. 2009–2010. Vol. 17. P. 3–24.

Taruskin 1996 – Taruskin R. Stravinsky and the Russian Traditions: A Biography of the Works Through “Mavra”: In 2 vols. Berkeley; Los Angeles: University of California Press, 1996.

Taruskin 2009 – Taruskin R. Back to Whom? Neoclassicism as Ideology// Taruskin R. The Danger of Music and Other Anti-Utopian Essays. Berkeley; Los Angeles: University of California Press, 2009. P. 382–405.

Taruskin 2010 – Taruskin R. Oxford History of Western Music: In 6 vols. Oxford; New York: Oxford University Press, 2010.

Taruskin 2014 – Taruskin R. Turania Revisited, with Lourie My Guide // Funeral Games in Honor of Arthur Vincent Lourie / ed. by K. Moricz, S. Morrison. Oxford; New York: Oxford University Press, 2014. P. 63–120.

Taruskin 2016a – Taruskin R. Not Modern and Loving it // Taruskin R. Russian Music at Home and Abroad: New Essays. Oakland: University of California Press, 2016. P. 120–134.

Taruskin 2016b – Taruskin R. Is There a “Russia Abroad” in Music? // Taruskin R. Russian Music at Home and Abroad: New Essays. Oakland: University of California Press, 2016. P. 140–161.

Taruskin 2016c – Taruskin R. Stravinsky’s “Poetics” and Russian Music // Taruskin R. Russian Music at Home and Abroad: New Essays. Oakland: University of California Press, 2016. P. 361–365.

Taruskin 2016d – Taruskin R. Just How Russian Was Stravinsky? // Taruskin R. Russian Music at Home and Abroad: New Essays. Oakland: University of California Press, 2016. P. 428–471.

Taylor 1928 – T[aylor] H. P. Out of Spain, The Argentina and the Dance // Boston Evening Transcript. 1928. 14 July.

Taylor, Christie 1994 – The Film Factory: Russian and Soviet Cinema in Documents 1896–1939 /eds. R. Taylor, I. Christie. London; New York: Routledge, 1994.

Toye 1928 – Francis Toye’s review // The Morning Post. 1928. 14 July.

Tyler 1967 – Tyler P. The Divine Comedy of Pavel Tchelitchew: A Biography. London: Weidenfeld & Nicolson, 1967.

Veroli 2014 — Veroli P. Serge Lifar as a Dance Historian and the Myth of Russian Dance in “Zarubezhnaia Rossiia” (Russia Abroad) 1930–1940 // Dance Research: The Journal of the Society for Dance Research. 2014. Vol. 32. № 2. P. 105–143.

Vinteuil 1936 – Robert Vinteuil’s review // Le Menestrell. 1936. 19 June.

Vishnevetsky 2004 — Vishnevetsky I. The Birth of Chaos from the Spirit of Harmony: “The End of St. Petersburg” by Vladimir Dukelsky. AION-Slav-istica. Annali dell’ Universita degli Studi di Napoli. 2004. № 6: “L’Orientale” P. 243–277.

Volynsky 2008 — Volynsky A. Ballets Magic Kingdom: Selected Writings on Dance in Russia, 1911–1925 / trans, by S. J. Rabinowitz. New Haven; London: Yale University Press, 2008.

W. M. – W. M. Factory Life Ballet: Music and Machinery 11 The Daily Mail. 1927. 5 July.

Walsh 1999 – Walsh S. Stravinsky: A Creative Spring: Russia and France, 1882–1934. New York: Alfred A. Knopf, 1999.

Walsh 2006 – Walsh S. Stravinsky: The Second Exile: France and America 1934–1971. New York: Alfred A. Knopf, 2006.

Wellens