Telegram
Онлайн библиотека бесплатных книг и аудиокниг » Книги » Историческая проза » Сотворение мира в иконографии средневекового Запада. Опыт иконографической генеалогии - Анна Пожидаева 📕 - Книга онлайн бесплатно

Книга Сотворение мира в иконографии средневекового Запада. Опыт иконографической генеалогии - Анна Пожидаева

243
0
Читать книгу Сотворение мира в иконографии средневекового Запада. Опыт иконографической генеалогии - Анна Пожидаева полностью.

Шрифт:

-
+

Интервал:

-
+

Закладка:

Сделать
1 ... 87 88 89 ... 99
Перейти на страницу:

Millar E. G. Fresh Materials for the Study of English Illumination // Studies in art history for B. Da Costa Greene. Princeton: Princeton University Press, 1954. P. 286–294.

Morgan N. J. Early gothic manuscript 1190–1275 (A Survey of Manuscripts Illuminated in the British Isles V. 4 (1)). Oxford: Harvey Miller, 1982.

Morgan N. Old Testament Illustration in Thirteenth Century England // The Bible in the Middle Ages: its influence on Literature and Art, 1992. P. 149–198.

Мüller M. E. Introduction // The Use of models in medieval book painting. Cambridge: Cambridge Scholars Publishing, 2014. P. XI–XVIII.

Müller K. Old and New Divine Revelation in the Salerno «Ivories» // Mitteilungen des Kunsthistorischen Institut in Florenz 54.1, 2010–12. P. 1–30.

Muratova X. Les manuscrits-frères: un aspect particulier de la production des bestiaires enluminés en Angleterre à la fin du XIIe siècle // Artistes, artisans et production artistique au Moyen Age. Paris: Picard, 1986. Vol. III. P. 69–92.

Narkiss B. Reconstruction of some original quires of the Ashburnham Pentateuch // Cahiers Archéologiques. 1972. Vol. XXI. P. 19–38.

Narkiss B. Toward a furthers Study of the Ashburnham Pentateuch // Cahiers Archéologiques. Vol. XIX. 1969. P. 45–60.

Neuss W. Die Catalanische bibelillustration um die Wende des ersten Jahrhunderts und die altspanischen Buchmalerei. Leipzig, 1922.

Nordstrom C.-O. Rabbinic features in Byzantine and Catalan art // Cahiers Archéologiques. 1965. Vol. XV. P. 179–205.

Nordenfalk C. A travelling Milanese artist. in France at the beginning of the eleventh century // Arte de primo millenio: Atti del primo convegno sull’ arte del primo Medioevo tenuto presso l’ Universita di Pavia. Turin: n. d., 1953. P. 374–380.

Obrist. B. Wind Diagrams and Medieval Cosmology // Speculum. 1997. Vol. 72. № 1. P. 33–84.

Orofino G. Bibbie atlantiche. Struttura del testo e del racconto nel Libro «riformato» // Medioevo: Immagine e racconto, Atti del IV Convegno Internazionale di studi, a cura di A. C. Quintavalle, Milano: Electa, 2004. P. 253–264.

Orofino G. La decorazione delle Bibbie atlantiche tra Lazio e Toscana nella prima meta del XII secolo // Roma e la Riforma Gregoriana. Tradizioni e innovazioni artistiche (XI–XII sec.). Roma: Viella, 2007. P. 357–379.

Pace V. Città del Vaticano/ Biblioteca apostolica vaticana. Vat. lat. 9820, «Exultet» // Exultet. Rotoli liturgici del Medioevo meridionale [catalogo di mostra, Cassino, Abbazia di Montecassino, 20 maggio — 31 agosto 1994, direzione scientifica Guglielmo Cavallo, coordinamento Giulia Orofino, Oronzo Pecere], 1994. P. 107–118.

Pace V. Una Bibbia in avorio. Arte mediterranea nella Salerno dell’ XI secolo. Milano: ITACA, 2016.

Paecht O., Alexander J. J. G. Illuminated manuscripts in the Bodleian Library. Oxford, 1966.

Paecht O. A Cycle of English Frescoes in Spain // Burlington Magasine. Vol. CIII. 1961. P. 166–175.

Paecht O. A Giottesque Episode in English Mediaeval Art // Journal of the Warburg and Courtauld Institutes. 1943. Vol. VI. P. 51–70.

Paecht O. Book Illumination in the Middle Ages. Oxford: Harvey Miller Publishers, 1986.

Paecht O. The Rise of the Pictorial Narrative in 12-century England. Oxford: Oxford University Press, 1953.

Paecht O., Dodwell C. R., Wormald F. Psalterium Albani. London: Warburg Institute, 1960.

Paecht O., Thoss D. Franzosiche Schule (Osterreichliche Bibliothek). Wien, 1974.

Palol P. Une broderie catalane d’époque romane: La «Genèse de Gérone». I // Cahiers archéologiques. 1956. Vol. VIII. P. 175–214.

Panofsky D. The textual Basis of the Utrecht psalter Illustrations // The Art Bulletin. 1943. Vol. XXV. P. 50–59

Petersen E. The Bible as subject and object of illustration: the making of medieval manuscript, Hamburg 1255 // The early medieval Bible: its production, decoration, and use. Cambridge: Cambridge University Press, 1994. P. 205–222.

Pictor in Carmine. Ein Handbuch der Typologie aus dem 12. Jahrhundert. Nach der Handschrift des Corpus Christi College in Cambridge, Ms. 300. Berlin: Gebr. Mann, 2006.

Porcher J. Les manuscrits enluminés // L’ Europe des invasions. Paris: Gallimard, 1967.

Quadrocchi Cl. «Le acque che sono sotto il firmamento»: il paesaggio marino in un sottarco della cripta di Anagni // Rolsa. 2006. Vol. VI. P. 7–41.

Raw B. The drawing of the angel in Ms. 28, St. John College, Oxford // Journal of the Warburg and Courtaud Institute. 1955. Vol. XVIII. P. 318–319.

Raw В. The probable derivation of most of the illustrations in Junius 11 from an illustrated Old Saxon Genesis // Anglo-Saxon England. 1976. № 5. P. 133–148.

Reilly D. French romanesque giant bibles and their English relatives: blood relatives or adopted children? // Scriptorium. 2002. Vol. LVI. № 2. P. 294–311.

Renaut L. La description d’ une croix cosmique par Jean de Gaza, poète palestinien du Vie siècle // Iconographica. Mélanges offerts à Piotr Skubiszewski. Poitiers, 1999. P. 211–220.

Rickert F. Studien zum Aschburnham Pentateuch. Inaugural-Dissertation zur Erlaugung der Doktorwurde der Philosophischen Fakultat der Rheinischen Friedrich-Wilhelm-Universitat zu Bonn. Bonn, 1986.

Riedmaier J. Die Lambeth-Bibel. Berlin: Peter Lang, 1994.

Rizzi M. P. Chiese rupestri a Matera. Città di Vaticano: Libreria Editrice Vaticana, 2015.

Ross D. J. A. A Later 12-century Artist’s Pattern-Sheet // Journal of the Warburg and Courtaud Institute. 1962. Vol. XXV. P. 119–28.

Ross D. J. A. An Illuminator Labour-Saving Device // Scriptorium. 1962. Vol. XVI. P. 94–102.

Rouse R. H., Rouse M. A. Manuscripts and their makers: commercial book producers in medieval Paris, 1200–1500. London: Harvey Miller, 2000.

Rudolph С. In the beginning: Theories and images of creation in Northern Europe in the twelfth century // Art History. 1999. № 22. P. 3–55.

Salzman M. R. On roman time. The codex Calendar of 354 and the rhytms of urban life in Late Antiquity. Berkeley; Los Angeles; Oxford: University of California Press, 1990.

Scheller R. W. A Survey of Medieval Model Books. Haarlem: De Erven F. Bohn, 1963.

Scheller R. W. Exemplum Model-Book Drawings and the Practice of Artistic Transmission in the Middle Ages (ca. 900 — ca. 1470). Amsterdam: Amsterdam University Press, 1995.

1 ... 87 88 89 ... 99
Перейти на страницу:
Комментарии и отзывы (0) к книге "Сотворение мира в иконографии средневекового Запада. Опыт иконографической генеалогии - Анна Пожидаева"