Книга Икона и квадрат. Русский модернизм и русско-византийское возрождение - Мария Тарутина

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Kostenevich 1995 – Kostenevich A. Hidden Treasures Revealed: Impressionist Masterpieces and Other Important French Paintings Preserved by the State Hermitage Museum, St. Petersburg / Transl. by E. Kolesnikova, C. A. Fitzpatrick, S. Rabinovich. Moscow: Ministry of Culture of the Russian Federation; St. Petersburg: State Hermitage Museum; New York: Harry N. Abrams, 1995.

Krauss 1981 – Krauss R. The Originality of the Avant-Garde: A Postmodernist Repetition // October. 1981. Autumn. Vol. 18. P. 47–66.

Kunichika 2015 – Kunichika M. «Our Native Antiquity»: Archaeology and Aesthetics in the Culture of Russian Modernism. Boston: Academic Studies Press, 2015.

Kurbanovsky 2007 – Kurbanovsky A. Malevich’s Mystic Signs: From Iconoclasm to New Theology // Sacred Stories: Religion and Spirituality in Modern Russia / Ed. by M. D. Steinberg, H. J. Coleman. Bloomington: Indiana University Press, 2007.

Lankheit 1974 – Lankheit K. A History of the Almanac // The Blaue Reiter Almanac / Ed. by V. Kandinsky, F. Marc; transl. by H. Falkenstein. New York: Viking Press, 1974.

Le symbolisme 1976 – Le symbolisme en Europe: Rotterdam, Museum Boymans-van Beuningen. Paris: Éditions des musées nationaux, 1976.

Levitt 2009 – Levitt M. C. Early Modern Russian Letters: Texts and Contexts. Boston: Academic Studies Press, 2009.

Lidov 2009 – Lidov A. Holy Face – Holy Script – Holy Gate: An Image-Paradigm of the «Blessed City» in Christian Hierotopy // Hierotopy: Comparative Studies of Sacred Spaces / Ed. by A. Lidov. Moscow: Indrik, 2009. P. 110–143.

Lodder 1983 – Lodder C. Russian Constructivism. New Haven: Yale University Press, 1983.

Lodder 2015 – Lodder C. Malevich as Exhibition Maker // Malevich / Ed. by A. Borchardt-Hume. London: Tate Publishing, 2015.

Lowden 1997 – Lowden J. Early Christian and Byzantine Art. London: Phaidon, 1997.

Lynton 2009 – Lynton N. Tatlin’s Tower: Monument to Revolution. New Haven: Yale University Press, 2009.

Malmstad 1996 – Malmstad J. The Sacred Profaned: Image and Word in the Paintings of Mikhail Larionov // Laboratory of Dreams: The Russian Avant-Garde and Cultural Experiment / Ed. by J. E. Bowlt, O. Matich. Stanford: Stanford University Press, 1996. P. 153–173.

Markov 1968 – Markov V. Russian Futurism: A History. Berkeley: University of California Press, 1968.

Meier-Graefe 1904 – Meier-Graefe J. Entwicklungsgeschichte der modernen Kunst: Vergleichende Betrachtung der bildenden Künste, als Beitrag zu einer neuen Aesthetik: 3 Bdn. Stuttgart: Verlag Julius Hoffmann, 1904.

Merleau-Ponty 1968 – Merleau-Ponty M. The Visible and the Invisible / Ed. by C. Lefort. Evanston: Northwestern University Press, 1968.

Milner 1984 – Milner J. Vladimir Tatlin and the Russian Avant-Garde. New Haven: Yale University Press, 1984.

Misler 1996 – Misler N. Toward an Exact Aesthetics: Pavel Florensky and the Russian Academy of Artistic Sciences // Laboratory of Dreams: The Russian Avant-Garde and Cultural Experiment / Ed. by J. E. Bowlt, O. Matich. Stanford: Stanford University Press, 1996. P. 118–134.

Misler 2002a – Misler N. Pavel Florensky as Art Historian // Florensky P. The Stratification of Aegean Culture // Beyond Vision: Essays on the Perception of Art / Ed. by N. Misler; transl. by W. Salmond. London: Reaktion, 2002.

Misler 2002b – Misler N. Vasilii Kandinsky and the Russian Academy of Artistic Sciences // Experiment. 2002. Vol. 8, № 1. P. 173–185.

Mudrak 2015 – Mudrak M. M. Kazimir Malevich and the Liturgical Tradition of Eastern Christianity // Byzantium / Modernism: The Byzantine as Method in Modernity / Ed. by R. Betancourt, M. Taroutina. Leiden: Brill, 2015. P. 37–72.

Nakov 2010 – Nakov A. Malevich: Painting the Absolute: In 4 vols. Vol. 4. Farnham, Surrey: Lund Humphries, 2010.

Nelson 2000 – Visuality Before and Beyond the Renaissance: Seeing as Others Saw / Ed. by R. S. Nelson. Cambridge: Cambridge University Press, 2000.

Nelson 2004 – Nelson R. S. Hagia Sophia, 1850–1950: Holy Wisdom Modern Monument. Chicago: University of Chicago Press, 2004.

Nelson 2006 – Nelson R. S. Where God Walked and Monks Pray // Holy Image, Hallowed Ground: Icons from Sinai / Ed. by R. S. Nelson, K. M. Collins. Los Angeles: J. Paul Getty Museum, 2006. P. 1–38.

Nelson 2015 – Nelson R. S. Modernism’s Byzantium Byzantium’s Modernism // Byzantium / Modernism: The Byzantine as Method in Modernity / Ed. by R. Betancourt, M. Taroutina. Leiden: Brill, 2015. P. 15–36.

Partsch 2001 – Partsch S. Franz Marc, 1880–1916 / Transl. by K. Williams. Cologne: Taschen, 2001.

Pentcheva 2010 – Pentcheva B. The Sensual Icon: Space, Ritual, and the Senses in Byzantium. University Park: Pennsylvania State University Press, 2010.

Pevny 2010 – Pevny O. In Solntsev’s Footsteps: Adrian Prakhov and the Representation of Kievan Rus // Visualizing Russia: Fedor Solntsev and Crafting a National Past / Ed. by C. Whittaker. Leiden: Brill, 2010. P. 85–108.

Piatnitskii et al. 2000 – Sinai, Byzantium, Russia: Orthodox Art from the Sixth to the Twentieth Century / Ed. by Iu. Piatnitskii et al. London: Saint Catherine Foundation, 2000.

Poole 2010 – Poole R. A. Vladimir Solov’ev’s Philosophical Anthropology: Autonomy, Dignity, Perfectibility // A History of Russian Philosophy, 1830–1930:

Faith, Reason, and the Defense of Human Dignity / Ed. by G. M. Hamburg, R. A. Poole. Cambridge: Cambridge University Press, 2010. P. 131–149.

Popova 1992 – Popova O. Medieval Russian Painting and Byzantium // Gates of Mystery: The Art of Holy Russia / Ed. by R. Grieson. Cambridge: Lutterworth Press, 1992. P. 45–59.

Rakitin 1992 – Rakitin V. The Artisan and the Prophet: Marginal Notes on Two Artistic Careers // The Great Utopia: The Russian and Soviet Avant-Garde, 1915–1932. New York: Guggenheim Museum, 1992. P. 25–37.

Rambelli, Reinders 2007 – Rambelli F., Reinders E. What Does Iconoclasm Create? What Does Preservation Destroy? Reflections on Iconoclasm in East Asia // Iconoclasm: Con– tested Objects, Contested Terms / Ed. by S. Boldrick, R. Clay. Aldershot, Hampshire: Ashgate, 2007. P. 15–33.

Ringbom 1970 – Ringbom S. The Sounding Cosmos: A Study in The Spiritualism of Kandinsky and the Genesis of Abstract Painting. Åbo: Åbo Akademi, 1970.

Rosenthal 2007 – Rosenthal B. G. A New Spirituality: The Confluence of Nietzsche and notes to pages 103–116. Orthodoxy in Russian Religious Thought // Sacred Stories: Religion and Spirituality in Modern Russia / Ed. by M. D. Steinberg, H. J. Coleman. Bloomington: Indiana University Press, 2007. P. 330–357.

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Rusakov 1975 – Rusakov I. Matisse in Russia in the Autumn of 1911 / Transl. by John E. Bowlt // Burlington Magazine. 1975. May. Vol. 117. № 866 (special issue devoted to twentieth-century art). P. 284–291.

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Salmond 2000 – Salmond W. R. Moscow Modern // Art Nouveau, 1890–1914 / Ed. by P. Greenhalgh. New York: Harry N. Abrams, 2000. P. 388–397.

Salmond 2001 – Salmond W. R. Introduction // Experiment. 2001. Vol. 7. P. xvii–xxi.

Salmond, Whittaker 2010 – Salmond W., Whittaker C. H. Introduction // Visualizing Russia: Fedor Solntsev and Crafting a National Past / Ed. by C. Whittaker. Leiden: Brill, 2010. P. 1–16.

Sarabianov 1988 –