Книга Экономика и культура - Дэвид Тросби

McPherson M.S. Changes in Tastes // The New Palgrave: A Dictionary of Economics / J. Eatwell et al. (eds). London: Macmillan, 1987. P. 401–403; repr. in [Towse, 1997a, vol. I, p. 83–85].

MeilandJ.W. Originals, Copies and Aesthetic Value // The Forger’s Art: Forgery and the Philosophy of Art / D. Dutton (ed.) Berkeley: University of California Press, 1983. P. 115–130.

Menger P.-M. Artistic Labor Markets and Careers // Annual Review of Sociology. 1999. Vol. 25. P. 541–574.

Mirowski P Learning the Meaning of a Dollar: Conservation Principles and the Social Theory of Value in Economic Theory // Social Research. 1990. Vol. 57. P. 689–717.

Mitchell R.C., Carson R.T. Using Surveys to Value Public Goods: The Contingent Valuation Method. Washington, DC: Resources for the Future, 1989.

Mitchell T. Popular Music and Local Identity. L.: Leicester University Press,

1996.

Moorhouse J.C., Smith M.S. The Market for Residential Architecture: 19th Century Row Houses in Boston’s South End // Journal of Urban Economics. 1994. Vol. 35. P. 267–277.

Morrison W.G., West E.G. Subsidies for the Performing Arts: Evidence on Voter Preference // Journal of Behavioral Economics. 1986. No. 15. P. 57–72; repr. in [Towse, 1997a, vol. II, p. 647–662].

Mossetto G. A Cultural Good Called Venice // Cultural Economics / R. Towse, A. Khakee (eds). Heidelberg: Springer-Verlag, 1992a. P. 247–256.

Mossetto G. L’Economia dette Citta d’Ane: Modelli di Sviluppo a Confronta, Politiche e Strumenti di Intervento. Milano: Etaslibri, 1992b.

Mossetto G. Aesthetics and Economics. Dordrecht: Kluwer Academic Publishers, 1993.

Moulin R. LArtiste, l’Institution et le Marche. Paris: Flammarion, 1992.

Mourato S., Danchev A. Preserving Cultural Heritage in Transition Economies: A Contingent Valuation Study of Bulgarian Monasteries // Paper presented at ICCROM forum on Valuing Heritage, Beyond Economics. Rome. 30 September – 2 October, 1999.

Mulgan G., Worpole K. Saturday Night or Sunday Morning? From Arts to Industry – New Forms of Cultural Policy. L.: Comedia Publishing Group, 1986.

Munakata I. The Distinctive Features of Japanese Development: Basic Cultural Patterns and Politico-Economic Processes // In Search of an East Asian Development Model / P. Berger, H.H. Hsiao (eds). New Brunswick, NJ: Transaction Publishers, 1993. P. 155–178.

Musgrave R.A. The Theory of Public Finance. N.Y.: McGraw-Hill, 1959.

Musgrave R.A. Merit Goods // Rationality, Individualism and the Public Policy / G. Brennan, C. Walsh (eds). Canberra: ANUTECH, 1990. P. 207210.

Myerscough J. The Economic Importance of the Arts in Britain. L.: Policy Studies Institute, 1988.

Nelson R.R., Winter S.G. An Evolutionary Theory of Economic Change. Cambridge: Belknap Press of Harvard University Press, 1982.

Nettl B. Studying Musics of the World’s Cultures // Nettl B. et al. Excursions in World Music. Upper Saddle River: Prentice-Hall, 1997. P. 1–13.

Netzer D. The Subsidized Muse: Public Support for the Arts in the United States. Cambridge: Cambridge University Press, 1978.

Netzer D. International Aspects of Heritage Policies // Does the Past Have a Future? The Political Economy of Heritage / A. Peacock (ed.). L.: Institute of Economic Affairs, 1998b. P. 135–154.

Newhouse V. Towards a New Museum. N.Y.: Monacelli Press, 1998.

Ng Y.-K. A Case for Happiness, Cardinalism and Interpersonal Comparability // Economic Journal. 1997. Vol. 107. P 1848–1858.

Nijkamp P 1995. Quantity and Quality: Evaluation Indicators for Our Cultural-Architectural Heritage // Planning for our Cultural Heritage / H. Coccossis, P Nijkamp (eds). Aldershot: Avebury, 1995. P. 17–37.

North D.C. Institutions, Institutional Change and Economic Performance. Cambridge University Press, 1990 [Рус. изд.: Норт Д. Институты, институциональные изменения и функционирование экономики. М.: Начала, 1997].

O’Hagan J.W. The State and the Arts: An Analysis of Key Economic Policy Issues in Europe and the United States, Cheltenham: Edward Elgar, 1998.

O’Neil D.J. Culture Confronts Marx // International Journal of Social Economics. 1995. Vol. 22. No. 9-11. P 43–54.

O’Neill E. Complete Plays, 1920–1931.Vol. II. N.Y.: Library of America, 1988.

Ostrom E. Constituting Social Capital and Collective Action in Keohane // Local Commons and Global Interdependence: Heterogeneity and Cooperation in Two Domains / O. Robert, E. Ostrom (eds). L.: Sage Publications, 1995. P 125–160.

Ostrom E. 2000. Social Capital: a Fad or a Fundamental Concept? // Social Capital: A Multifaceted Perspective / P Dasgupta, I. Serageldin (eds). Washington: World Bank, 2000. P. 172–214.

Oswald A.J. Happiness and Economic Performance // Economic Journal.

1997. Vol. 107. P. 1815–1831.

Ozawa T. Exploring the Asian Economic Miracle: Politics, Economics, Society, Culture, and History – a Review Article // Journal of Asian Studies. 1994. Vol. 53. P. 124–131.

Page T. Conservation and Economic Efficiency: An Approach to Materials Policy. Baltimore: Johns Hopkins University Press, 1977.

Papandrea F. Willingness to Pay for Domestic Television Programming // Journal of Cultural Economics. 1999. Vol. 23. P. 149–166.

Pattanaik P Cultural Indicators of Well-Being: Some Conceptual Issues // UNESCO, World Culture Report. 1998a. P. 333–340.

Peacock A. Paying the Piper: Culture, Music and Money. Edinburgh University Press, 1993.

Peacock A. A Future for the Past: the Political Economy of Heritage // Proceedings of the British Academy. 1995. Vol. 87. P. 189–243; repr. in [Towse, 1997a, vol. I, p. 387–424].

Peacock A. The Economist and Heritage Policy: a Review of the Issues // Does the Past Have a Future? The Political Economy of Heritage / A. Peacock (ed.). L.: Institute of Economic Affairs, 1998a. P. 1–26.

Peacock A. (ed.). Does the Past Have a Future? The Political Economy of Heritage. L.: Institute of Economic Affairs, 1998b.

Peacock A., Rizzo I. (eds). Cultural Economics and Cultural Policies. Dordrecht: Kluwer Academic Publishers, 1994.

Peacock A., Shoesmith E., Millner G. Inflation and the Performed Arts. L.: Arts Council of Great Britain, 1982.

Peacock A., Weir R. The Composer in the Market Place: An Economic History. L.: Faber, 1975.