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210 Bonnet A.-M., Kopp-Schmidt G. Die Malerei der Deutschen Renaissance. Schirmer / Mosel. München, 2014.

211 Borchert T.-H. Le Siècle de Van Eyck. Le Monde méditerranéen et les Primitifs flamands 1430–1530. Ludion, 2002.

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233 Cone M. C. French Modernisms: Perspectives on Art before, during and after Vichy. Cambridge University Press, 2001.

234 Cone, Michele C. French Art of the Present in Hitler’s Berlin. The Art Bulletin. Vol. 80, No. 3. Sep., 1998.

235 Crussard S. Gauguin. Premier itinéraire d’un sauvage. Wildenstein Institute. Paris. 2001.

236 Der Meister von Flémalle und Rogier van der Weyden. Staatliche Museen zu Berlin. Stadel Museum, Frankfurt am Main.

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246 Giannotti, Donato. Della. Repubbluica de’ Viniziani, 1526–1533.

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249 Gordon Bertram M. Collaborationism in France during the Second World War. Cornell University Press, Ithaca, N.Y., 1980.

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251 Halmi, Nicholas The Very Model of a Modern Epic Poem University of Oxford 2010.

252 Hasenmueller McCorkel C. The Role of the Suspended Crown in Jan van Eyck›s Madonna and Chancellor Rolin. The Art Bulletin, Vol. 58, No. 4 (Dec., 1976), pp. 516–520.

253 Henry T. The life and art of Luca Signorelli. Yale University Press. New Haven and London. 2012.

254 Hobsbawm, Eric. Age of Extriems. Abacus pbl. 1995.

255 Thomas Hobbes, Leviathan or the matter, forme, & power of a common-wealth ecclesiastical and civil, Haskett, 1994.

256 Homburg C., Riopelle Ch. Gauguin portraits. Catalogue. National Gallery of Canada. Ottawa, 2019.

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259 Hout Nico van. Rubens and His Legacy. ACC-distribution titles, 2014.

260 Hughes D. O. Distinguishing Signs: Ear-Rings, Jews and Franciscan Rhetoric in the Italian Renaissance City. Past & Present. No. 112 (Aug., 1986), pp. 3–59. Oxford University Press.

261 Hults L. C. Baldung’s Bewitched Groom Revisited: Artistic Temperament, Fantasy and the «Dream of Reason». The Sixteenth Century Journal, Vol. 15, No. 3 (Autumn, 1984), pp. 259–279.

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